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Anne C. Bailey Travel and adventure. A knowledge of history. An understanding of contemporary issues. An accessible style. Anne Bailey is a writer who attempts to combine all these elements in works ranging from adult non-fiction to children's historical fiction. Bailey takes readers on a journey that spans many countries and several continents. Born in Jamaica to William and Daphne Bailey, her work has been informed by extended stays in Paris, London and West Africa. After immigrating to New York City where she attended high school, she studied English and French at Harvard University and later got her Ph.D. in African History and African Diaspora Studies from the University of Pennsylvania.

Bailey is committed to a concept of "living history" in which events of the past are connected to current and contemporary issues. Influenced by her Christian faith, she is also concerned with the reconciliation of communities after age old conflicts like slavery, war and genocide. This is best evidenced in her recent non-fiction book, African Voices of the Atlantic Slave Trade: Beyond the Silence and the Shame (Beacon Press, 2005). This book attempts to capture African memories of the slave trade - a rich yet largely neglected source of information on this important era. African chiefs and other elders share stories that reveal the experience of Africans as victims of the trade as well as traders. At the same time, African Voices of the Atlantic Slave Trade attempts to bridge the gap between Africa and the African Diaspora in tackling issues from trade operations on the continent to reparations for African descendants. This is best evidenced in her recent non-fiction book, African Voices of the Atlantic Slave trade: Beyond the Silence and the Shame.

This book is an outgrowth of her 1998 Ph.D. thesis in African History from the University of Pennsylvania as is her historical novel, Anchors in the Sand. Anchors asks readers to imagine: What if historical characters from the era of the Atlantic slave trade were able to tell their stories directly to an audience today? How would the African trader explain his involvement? How would American and European traders and planters account for their role in slavery? What about those who resisted this terrible institution? What would they have to tell us now that might help heal the wounds of our collective past? Designed as a frame tale, Anchors weaves monologues of different characters based on actual oral histories collected in Southern Ghana in 1993 in the context of a modern day story of discovery and adventure.

Anne Bailey's previously published material also includes two works of historical fiction for children: You Can Make A Difference: The Story of Martin Luther King Jr. (Bantam/Doubleday/Dell) and Return to the Cave of Time (co-authored with Edward Packard). Other publications include numerous articles in London newspapers including a front-page story on the death of Princess Diana in 1997 and a monthly column for UK edition of The Jamaican Gleaner. She also contributed to Relocating Postcolonialism (Blackwell Pub., 2002) which was edited by Ato Quayson and David Goldberg of Cambridge University. In keeping with the contemporary feel of many of her works, several of these projects are designed to be adapted to film, audiobooks and plays.

She has given presentations all over the world including a reading at the first conference of "Black Writers in Paris" in 1992. There, sharing the stage with Paule Marshall, Louise Meriweather and Ishmael Reed, she read from her unpublished short story collection, Beyond Boundaries. More recently, she has done nine readings of Anchors in the Sand in Boston, New York and in Germany over the last two years. Finally, in recognition of her writing and research efforts, she recently received a Fulbright Research grant which enabled her to return to Ghana to complete her current manuscripts.

Bailey's activities as an educator have also shaped her life and work. These include her tenure as Executive Director for the Albert G. Oliver Program, a NY based non-profit that provides scholarships for minority children, and her work as an Visiting Professor of History at Rutgers University, Bryn Mawr College, Cambridge College, the University of Pennsylvania and Harvard University. She was also a W.E.B. DuBois Fellow at Harvard University's Department of Afro-American Studies in 2000.

In terms of press coverage, she was chosen by the editors of ESSENCE MAGAZINE to be on the cover of their August 1984 issue while she was a sophomore at Harvard. A 1995 front-page story in The New York Daily News also named her one of the 100 people under 40 to watch. There was also an article on her work on slavery in the Columbus Dispatch in 2001.

Influenced by writers as diverse as Toni Morrison, Gloria Naylor, Alex Haley and C.S. Lewis, Bailey's aim is to combine an accessible writing style and a global perspective with a knowledge of history.

She is now a tenured professor of History and Africana Studies at SUNY Binghamton
( State University of New York) and lives in New York with her son, Mickias Joseph.
( See cv for full listing).

Why I Write About Slavery 

I truly believe that racial reconciliation in the United States will not be fullyachieved without a thorough and rigorous review of the period of slavery and the Atlantic slave trade. As a nation, no such review has ever taken place.

In South Africa, after the brutality of the Apartheid era, there was the Truth and Reconciliation Commission established by Nelson Mandela in 1994 and headed by Archbishop Desmond Tutu. This commission had as its mandate to review and assess the crimes against humanity committed during this period. The result was an imperfect but solid beginning for the newly democratic nation of South Africa to work towards positive race relations. Surely much more was and still is needed, but this was an important start. By contrast, in the United States after the Civil War, such a deliberate attempt to review and assess the machinery of slavery and its effects never took place.

It is for this reason, in my capacity as a writer and a scholar/activist, that I have committed my life and career to writing about slavery. This country was greatly influenced by the institution of slavery yet this legacy is unresolved and thus unreconciled. One would hope that books that address this legacy would produce a greater understanding of the contributions of people of color to the building of the nation and a greater appreciation for those heroes, both black and white, who were instrumental in bringing slavery to an end. It is in that spirit and for this reason that I write about this subject.

 

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